
“Muni,” made by filmmaker Paul Bonesteel and narrated by singer Darius Rucker, captures how North Carolina’s oldest municipal course has evolved from the ugly days of segregation to the site of an important tournament for black golfers and an example of how “golf belongs to everyone,” Bonesteel says. It features interviews with course fixtures like 92-year-old Cortez Baxter, who still puts in 10-hour days as a starter. It will first be shown on the Golf Channel on Tuesday, October 27th at 9 p.m.
Paul Bonesteel began playing at the Asheville (N.C.) Municipal Golf Course, long known as the “Muni,” more than 20 years ago, WLOS ABC 13 of Asheville reported.
As a documentary filmmaker whose works include the “The Day Carl Sandburg Died” and “The Mystery of George Masa,” Bonesteel soon recognized the wonderful stories and characters that were the fabric of North Carolina’s oldest municipal course, which opened for play 93 years ago, WLOS reported.
He understood that there was so much more to the Muni than the 18 well-worn holes that weave through the East Asheville neighborhood of Beverly Hills.
The backdrop of Muni is a culture of black and white, WLOS reported—once divided by Jim Crow rules that fostered racism, but that eventually gave way to a diverse nature of coexistence and of friendship and camaraderie amid the heat of competition.
The history of that evolution and the rich stories of those who have lived much of their lives at the golf course is well-captured in “Muni,” a one-hour documentary by Bonesteel that will debut on the Golf Channel at 9 p.m. on Tuesday, October 27th, WLOS reported.
Shot over a span of four years, “Muni” is an oral history presentated through the eyes and voices of a collection of golfers who for decades have played the course and have not only witnessed, but played huge roles, in the changes from a time when blacks were allowed to play there just one day a week, WLOS reported.
Locals who play the Muni will recognize names like Billy Gardenhight, Cortez Baxter, Dwight Bryson, C.Y. Young and Pete McDaniel—men who as youngsters served as caddies to white men, fell in love with golf and became obsessed with the game despite the lack of opportunities to play, WLOS reported.mTheir stories and recollections, from fond memories to the ugly days of segregation, are the heart of the film and provide a cultural timeline to the history of the Asheville course.
Cortez Baxter has worked at the Muni for exactly half of his life, WLOS reported, and at age 92, he is in his 46th year at the course, still putting in three or four days a week, sometimes 10 hours a day as a starter on the first tee. He could be the epitome of both the golf course and the film.
“Golf is my outlet, my love,” Baxter said. “I feel like if I can just get to the golf course, I have no problems.’’
When he is not getting about 200 golfers a day organized to tee off, Baxter is chipping and putting at the practice green next to his starter’s stand, WLOS reported. In his 11th decade on the planet, he is still working to get better, seeking answers to a better golf game.
“Over the years, golf has been a beautiful thing for me; don’t know what I would do without this place,” he said. “This is where I come to relax, and not worry about anything. I’ve made a lot of friends at Muni, and I hope to make some more.”
The film, narrated by popular rock and country singer (and avid golfer) Darius Rucker of Hootie and the Blowfish fame, also focuses on the Skyview Golf Tournament, held annually at the Muni since 1960 until the COVID-19 pandemic forced the cancellation of the 2020 event, WLOS reported.
Billy Gardenhight helped create the tournament and was the tournament director for more than a half-century. He talks lovingly about the event that brought some of the best black golfers in the game to Asheville. Lee Elder, the first black man to play The Masters, won three Skyview tourneys in a row in the early 1960s.
Once a regular stop of the black North American Golf Association tour, the Skyview was created as a blacks-only event, but by the second year became integrated, WLOS reported. In its heyday, more than 225 pros and amateurs competed over three days and 54 holes, and a downtown banquet and dance was a highlight of the black social season in western North Carolina.
In the film, Bonesteel effectively ties in the evolution of black-and-white golf at both the Muni and the Skyview tourney over decades, WLOS reported “As a white male who grew up with easy access to a golf course, I wasn’t sure it was a story I could or should tell,” he says. “I really wanted to make a film that let these guys tell their story about how their love of golf permeated their lives, how they fell in love with the game and were going to play it, no matter what challenges they faced.
“This was a chance to retell the painful story of segregation through the lens of golf, with some wonderful characters,” said Bonesteel. “Golf is not about getting a chance to play on fancy courses that cost a lot of money—this film tells a story about how golf is loved by people of color, and that golf belongs to everyone.”
In addition to the original Golf Channel airing on October 27, Bonesteel hopes his film will be shown again on the network on future dates.
“Muni” is also scheduled to be featured on PBS’ Reel South Series in April 2021, WLOS reported.
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